» Painter X Creativity: Digital Artist's handbook

Painter X Creativity: Digital Artist's handbook Reviews

Customer Rating:
Summary: Outstanding book!
Comment: A wealth of information that would take you months to acquire otherwise. I worked in the past with Painter 4 & 5 years ago. I would have had trouble wading through all the new information.
The cost is a bargain.

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Customer Rating:
Summary: Just like being in Jeremy's classroom!
Comment: Jeremy has done it again! In this book you can feel his passion about Corel Painter and his desire to teach everyone how to explore their creativity with the software. This is a terrific addition to any digital artist's library, whether they are a novice or advanced professional. Jeremy is extremely generous in sharing his customized brushes and techniques. Great for teachers of Corel Painter!

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Customer Rating:
Summary: Highly Recommended!
Comment: Very helpful book for a novice at Painter, such as myself. Lots of good ideas. The included CD, which contains a number of Jeremy's favorite brushes, is worth the price of the book itself. If you are knowledgeable in creating brushes, this may not be a big deal, but again, I am a beginner in using Painter. Also contains a brief description of each of the brushes included in Painter X.

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Customer Rating:
Summary: Helps Teach Creativity
Comment: There are lots of books that teach technique. Jeremy's book helps teach Creativity. Not an easy thing to do. Of course it is not be last book on the subject you should read, but this will help you along the way.

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Customer Rating:
Summary: Goes beyond software basics
Comment: This book is more like an art class. The author, Jeremy Sutton, teaches the technical aspects of Corel Painter X and then goes beyond that to share his hard-earned tips and expertise for digital art creation and production. His personal secrets are what makes this book stand out among the crowd. The goal of the author is to teach readers both the software and also creativity. Although it still has the same format as previous books, this latest effort not only covers the new Painter X features but has been rewritten with new and better projects.

One of the many features in this book that makes it more like an art class than a book is how the author walks the reader through the setup for their own digital art studio from optimizing their computer and color management to fine tuning the Wacom tablet. Besides this technical stuff, the author discusses his own production tested techniques. I especially liked his Project-Version-Notes folder and file naming convention.

From this point, the author discusses the Painter X tools and interface and then how to customize the palettes and workspace for your own needs. Painter X brushes are the next topic and Sutton includes a nice glossary of sample brush strokes for each of the major brush categories. Next, he discusses how to experiment with different brush variants and how he maintains and organizes his ever increasing list of favorites. This production tip alone will save the reader much wasted time.

The thing that makes any artwork stand out from the crowd is the ability of the artist to go beyond the basics of the software. One way to do this is to create your own brushes, textures and patterns. After discussing the ins-and-outs of these features, Sutton shows you how to use your own customized tools to take your artwork to the next level.

The second part of the book concentrates on several case studies that demonstrate design and composition. Sutton discusses some methods that are only available in a digital environment such as generating several variations of the same artwork as a starting point for a project. Finally, he discusses how creating scripts can be a time saver and a teaching aid.

There were a few things that I have seen covered in books of this type for many years including techniques for creating a digital painting from a photo and digital collage. Although these topics are still popular, I would have preferred that those pages of the book were used to introduce some new ideas.

Readers have come to expect this type of book to have supporting tutorial image files and extra goodies such as brushes and training videos and this book has that. There are some nice extras including custom workspace layouts that the author has built for his own production needs and uses throughout the book. Any artist knows how useful these real world, production proven resources can be compared to the usually list of bland goodies found on a book's CD.

Jeremy Sutton's artwork is collected worldwide and he is the author of several books and video tutorials.

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